March School Programs : with Beverly Ress

Our March school programs not only look at Moseni's work but also at the works on paper by artist Beverly Ress.
In the front part of the gallery, students have been looking at Ress' large drawings on canvas-backed paper. They have noticed that she is drawing from nature (trees, birds, grasses) and makes cuts in the paper in very linear, almost mechanical ways. One portion in particular of these 2-d to 3-d reconstructions is especially compelling and reminded students of a nest, a t-rex head, and a skull; another work's cut outs reminded students of a visual map of dance steps. Ress's process of cutting into her drawings and then constructing new forms with the paper is key to our central theme, "how does a drawing grow?"

Ruth's still lives

To help the students understand and appreciate Ress's attention to detail, teaching artist Ruth Wetzel constructed a variety of carefully arranged still-lifes using objects from nature she collected. With the still life of their choice students were first encouraged to look closely before drawing anything.  Then they were encouraged to draw either parts of the still life or the whole thing, to start with large shapes and then work to the smaller ones, to notice the ways the shapes related to other shapes and even to notice shadows.  Drawing with colored pencil, students noticed that there are shapes in flowers that are "roundish," that an ostrich egg has a "bumpy" texture and that one of the branches looks like a "perfect rainbow arch." 

Fifth graders from Brooklyn New School

Kindergartners from PS 676

Back in the classroom students continued to explore the question, "how can a drawing grow?"  Kentler's teaching artists provided new the students with new materials that inspired students to build.  Going from 2-d to 3-d, just like Ress's drawing, the students' work grew and grew...

Installation at PS 15

Drawing Together Family Workshop (11/13)

Inspired by the characters in the Kentler's CUBA: MY REVOLUTION exhibition, families worked together to create their own character drawings.



Using cut and torn pieces of thin cardboard, kids and parents designed the portrait of their imaginary character. After designing, they glued the cardboard down to their large piece of posterboard. This not only made a unique drawing, but created the perfect low-relief surface for a rubbing! This technique of "drawing with cardboard," or other papers or fibers, is called "collagraph" meaning glued, or collaged, print [colle = glue in French].

Next, families used paper with winter designs on it to create a rubbing with dark cray-pas. We were all excited to work at such a large scale and to see the differences between the two characters! Everyone got to leave with not just one giant drawing, but two! And students can make more rubbings of their drawings for their friends after -- or are well-poised to explore other collagraph ideas!


This DT Workshop was led by Kentler K.I.D.S. teaching artist, Meghan Keane.






View all photos from this Drawing Together workshop here

We look forward to seeing you at the December 18 DRAWING TOGETHER workshop, led by teaching artist Ruth Wetzel.

Email K.I.D.S. Director, Mollie McQuarrie, to reserve a place for you and your child: omcquarrieo@gmail.com
Spaces are limited so reservations are suggested.

Rubbings and Giant Pencils-Wall Drawings and Sounds: K.I.D.S. Fall Program Highlights!

This fall, Kentler educators worked with local k-5th grade students from P.S. 15 and Brooklyn New School (P.S. 146) to explore the collaborative sound/wall drawing installation by artists Lezli Rubin Kunda and Ellen Moffat.

 In the "big room," teaching artist Meghan Keane led students in experiments with how sound can inspire different types of lines: jagged, scribbly, curvy, broken, straight...the list was endless! Students created "line libraries" to record their experiments.

They also experimented with new ways to create lines (with tape, giant drawing implements, and by erasing)...

 

...and by drawing directly on the gallery wall (!). 

Each of our 14 classes added to the wall drawing. After the first couple of classes it looked like this:

After the last couple of classes it looked like this:

How cool is that??

In the "small room" teaching artist Lance Paladino and Mollie McQuarrie explored Lezli's installation where she rubbed graphite into the wall exposing and responding to imperfections in the wall's surface.

Similarly, students worked to "discover" shapes and textures hidden under fabric by rubbing with crayon and oil pastel.

Finally switching to graphite and compressed charcoal the empty areas ("negative spaces") were filled in or outlined.  These black materials made the colors in the positive spaces "pop out."

These awesome murals each represent the collective creativity of half of each class that came to Kentler.  Its been suggested that we use these to raise some money for K.I.D.S. Art Education.  We are currently working on that.  If you're interested, please contact me: we have 26 and they all need homes!! Place a bid!

Wow team Kentler!  Thanks to Meghan and Lance for all their input and effort!  And thanks to teachers and students for all their cooperation and creativity.

Stay tuned for news about the follow up post visit.